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Capriccio Records
Austria
Приєднався 31 січ 2013
Record label for high-quality classical music. Home in Vienna, Austria.
The classic music label Capriccio was founded by Delta Music in 1982. As a new label producing LPs and tapes in 1982, it was our release of the first digital Beethoven symphony cycle with the Dresden Philharmonic and Herbert Kegel (issued on CD two years later) that first turned heads. Today, Capriccio’s catalogue includes well over 1,000 titles with repertoire ranging from the Renaissance to contemporary composers, full of re-discoveries and world premieres, and performed by a steadily growing roster of internationally renowned artists.
Capriccio is committed to the music fans that look beyond the paths of mainstream classical music and who are curious to discover unknown repertoires, young artists, as well as inventive programs. All this offer artists like Christine Schäfer, Petersen Quartet, Tabea Zimmermann, Vladimir Spivakov and many others. CEO and master-brain behind Capriccio is Johannes Kernmayer.
The classic music label Capriccio was founded by Delta Music in 1982. As a new label producing LPs and tapes in 1982, it was our release of the first digital Beethoven symphony cycle with the Dresden Philharmonic and Herbert Kegel (issued on CD two years later) that first turned heads. Today, Capriccio’s catalogue includes well over 1,000 titles with repertoire ranging from the Renaissance to contemporary composers, full of re-discoveries and world premieres, and performed by a steadily growing roster of internationally renowned artists.
Capriccio is committed to the music fans that look beyond the paths of mainstream classical music and who are curious to discover unknown repertoires, young artists, as well as inventive programs. All this offer artists like Christine Schäfer, Petersen Quartet, Tabea Zimmermann, Vladimir Spivakov and many others. CEO and master-brain behind Capriccio is Johannes Kernmayer.
TZIMON BARTO: an intimate conversation about life and music #interview
In this intimate interview, legendary pianist Tzimon Barto reflects on his extraordinary life and career. From his early days as a child prodigy to his groundbreaking interpretations of Bartok and other composers, Barto shares his insights on music, literature, and the human experience. With wit, wisdom, and a touch of melancholy, Barto offers a rare glimpse into the mind of a true musical master.
Recording year: 2016
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#Capriccio #capricciorecords #TzimonBarto #LegendaryPianist #MusicMaster #IntimateInterview #ExtraordinaryLife #GroundbreakingInterpretations #Bartok #Music #Literature #HumanExperience #Wit #Wisdom #Melancholy #ChildProdigy #BartoInterpretations #MusicalInsights #RareGlimpse #MasterfulMusician #InspiringStory #MustWatchInterview #AskTzimon #ShareYourThoughts #MusicLoversUnite #WhatInspiresYou #ThePowerOfMusic #NeverStopLearning #ClassicalMusic #PianoMusic #LegendaryArtists #MusicHistory #Interviews
Recording year: 2016
===============
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#Capriccio #capricciorecords #TzimonBarto #LegendaryPianist #MusicMaster #IntimateInterview #ExtraordinaryLife #GroundbreakingInterpretations #Bartok #Music #Literature #HumanExperience #Wit #Wisdom #Melancholy #ChildProdigy #BartoInterpretations #MusicalInsights #RareGlimpse #MasterfulMusician #InspiringStory #MustWatchInterview #AskTzimon #ShareYourThoughts #MusicLoversUnite #WhatInspiresYou #ThePowerOfMusic #NeverStopLearning #ClassicalMusic #PianoMusic #LegendaryArtists #MusicHistory #Interviews
Переглядів: 113
Відео
Classical Discoveries - #01 JEANNE D'ARC by Walter Braunfels #podcast
Переглядів 347Місяць тому
This podcast explores the life and music of Walter Braunfels, focusing on his rarely performed opera "Jeanne d'Arc". The hosts discuss Braunfels' success as a composer and the challenges he faced due to his Jewish heritage during the Nazi era. They delve into the opera's three acts, highlighting its beautiful, tonal music and complex characters like Joan of Arc and Gilles de Rais. The historica...
Classical Discoveries - Podcast #-00: Who needs another Podcast?
Переглядів 255Місяць тому
Start of the new Capriccio podcast! But: who really needs another one? Capriccio's label director Johannes Kernmayer asks and talks with journalist Jens F. Laurson about the need for another classical music podcast. This podcast series is perfect for anyone who loves classical music and wants to discover something new. The Capriccio label aims to fill the niches by presenting classical rarities...
ANTON BRUCKNER: Symphony #9 (Complete Versions Edition)
Переглядів 1,5 тис.3 місяці тому
ANTON BRUCKNER Symphony No. 9 in D minor Bruckner Orchester Linz Markus Poschner, conductor Promotional Video / Interview Capriccio CD C8096 [07/2024 Release] ► Subscribe to Capriccio UA-cam Channel: ua-cam.com/users/CapriccioRecords ► FACEBOOK Page: capricciorecords/ ► INSTAGRAM: capricciorec ► TWITTER: CapriccioRec ► Learn more about Capriccio: capricci...
ANTON BRUCKNER: Symphony in F minor 'Study Symphony' (Complete Versions Edition)
Переглядів 7584 місяці тому
ANTON BRUCKNER (1824-1896) (The Complete Versions Edition) Symphony in F minor (1863) 'Study Symphony' Bruckner Orchester Linz · Markus Poschner Promotional Video / Interview Capriccio CD C8096 [07/2024 Release] ► Subscribe to Capriccio UA-cam Channel: ua-cam.com/users/CapriccioRecords ► FACEBOOK Page: capricciorecords/ ► INSTAGRAM: capricciorec ► TWITTER: twitter.co...
Inside BRUCKNER COMPLETE SYMPHONIES EDITION [Part 1] - Interviews with Paul Hawkshaw
Переглядів 9545 місяців тому
ANTON BRUCKNER - Backstage (Complete Versions Edition) Analyses and Interviews - Part 1 Why we have so many versions of Bruckner Symphonies? What are the differences between them and what is really new in the New Bruckner Edition? JOHANNES KERNMAYER (Capriccio / Naxos) talks about with long-time Bruckner Expert PAUL HAWKSHAW (Professor Emeritus, Yale School of Music) ► Subscribe to Capriccio UA...
BEETHOVEN / The MAHLER Re-Orchestrations
Переглядів 21 тис.5 місяців тому
LUDWIG VAN BEETHOVEN (1770-1827) Re-orchestrations by GUSTAV MAHLER (1860-1911) Symphonies Nos. 3 · 5 · 7 · 9 Coriolan · Leonore Overtures String Quartet, Op. 95 Deutsche Staatsphilharmonie Rheinland-Pfalz Michael Francis, conductor 3CD-Set · Capriccio C5484 [06/2024] ► Subscribe to Capriccio UA-cam Channel: ua-cam.com/users/CapriccioRecords ► FACEBOOK Page: capricciorecords/ ► INS...
[#Bruckner2024] ICMA 2024 Winner Markus Poschner - Special Achievement Award
Переглядів 7226 місяців тому
Congratulations to conductor Markus Poschner for receiving the Special Achievement Award from the International Classical Music Awards (ICMA)! 👏🏻 This prestigious recognition is in honor of his monumental cycle of the complete Bruckner Symphonies edition, performed with the Bruckner Orchester Linz and the ORF Radio-Symphonieorchester Wien - RSO Wien. Discover more: lnk.to/Bruckner2024 Listen to...
ANTON BRUCKNER: Symphony #7 (Complete Versions Edition)
Переглядів 1,6 тис.7 місяців тому
ANTON BRUCKNER Symphony No. 7 in E major ORF Vienna Radio Symphony Orchestra Markus Poschner, conductor Promotional Video / Interview Capriccio CD: C8091 [04/2024 Release] ► Subscribe to Capriccio UA-cam Channel: ua-cam.com/users/CapriccioRecords ► FACEBOOK Page: capricciorecords/ ► INSTAGRAM: capricciorec ► TWITTER: CapriccioRec ► Learn more about Capric...
ANTON BRUCKNER: Symphony #3 (1873 · 1877 · 1889) (Complete Versions Edition)
Переглядів 4,3 тис.7 місяців тому
ANTON BRUCKNER Symphony No. 3 in D minor (1873 · 1877 · 1889) Bruckner Orchester Linz ORF Vienna Radio Symphony Orchestra Markus Poschner, conductor Promotional Video / Interview Capriccio CDs: C8086 · C8088 · C8095 ► Subscribe to Capriccio UA-cam Channel: ua-cam.com/users/CapriccioRecords ► FACEBOOK Page: capricciorecords/ ► INSTAGRAM: capricciorec ► TWITTER: twitte...
ANTON BRUCKNER: Symphony #2 (1872) (Complete Versions Edition)
Переглядів 1,1 тис.9 місяців тому
ANTON BRUCKNER Symphony No. 2 in C minor (1872 Version) ORF Vienna Radio Symphony Orchestra Markus Poschner, conductor //Promotional Video / Interview // Capriccio C8093 [Feb. 2024 Release] ► Subscribe to Capriccio UA-cam Channel: ua-cam.com/users/CapriccioRecords ► FACEBOOK Page: capricciorecords/ ► INSTAGRAM: capricciorec ► TWITTER: CapriccioRec ► Learn...
FRANZ SCHMIDT: The Piano Album
Переглядів 4089 місяців тому
FRANZ SCHMIDT (1874-1939) The Piano Album Karl-Andreas Kolly, piano // Promotional Video / Interview // Capriccio C5526 [February 2024 Release] ► Subscribe to Capriccio UA-cam Channel: ua-cam.com/users/CapriccioRecords ► FACEBOOK Page: capricciorecords/ ► INSTAGRAM: capricciorec ► TWITTER: CapriccioRec ► Learn more about Capriccio: capriccio.at/
JOSEF LABOR: Concertos for piano left hand Nos. 1-3
Переглядів 1,4 тис.9 місяців тому
JOSEF LABOR (1842-1924) Concertos for piano left hand and orchestra Wittgenstein Concertos OLIVER TRIENDL, Klavier / piano Deutsche Staatsphilharmonie Rheinland-Pfalz EUGENE TZIGANE, Dirigent / conductor Capriccio CD C5521 [Feb. 2024 Release] // Promotional Video / Interviews // ► Subscribe to Capriccio UA-cam Channel: ua-cam.com/users/CapriccioRecords ► FACEBOOK Page: capricciorec...
MIKLÓS RÓZSA: Orchestral Works
Переглядів 80610 місяців тому
MIKLÓS RÓZSA (1907 - 1995) Orchestral Works Overture to a Symphony Concert, Op. 26a (1956/63) Deutsche Staatsphilharmonie Rheinland-Pfalz Gregor Bühl, conductor Promotional Video / Interview Capriccio C5514 (01-2024 Release) ► Subscribe to Capriccio UA-cam Channel: ua-cam.com/users/CapriccioRecords ► FACEBOOK Page: capricciorecords/ ► INSTAGRAM: capricciorec ► TWITTE...
Anton Bruckner: Symphony #1 (1868) 'Linz' (Complete Versions Edition)
Переглядів 2 тис.10 місяців тому
ANTON BRUCKNER Symphony No. 1 in C minor (1868) 'Linz Version' Bruckner Orchester Linz · Markus Poschner, conductor Promotional Video / Interview Capriccio C8092 (01-2024 Release) ► Subscribe to Capriccio UA-cam Channel: ua-cam.com/users/CapriccioRecords ► FACEBOOK Page: capricciorecords/ ► INSTAGRAM: capricciorec ► TWITTER: CapriccioRec ► Learn more abou...
Anton Bruckner: Symphony #5 (Complete Versions Edition)
Переглядів 3,5 тис.11 місяців тому
Anton Bruckner: Symphony #5 (Complete Versions Edition)
Anton Bruckner: Symphony #2 (1877) (Complete Versions Edition)
Переглядів 1,1 тис.Рік тому
Anton Bruckner: Symphony #2 (1877) (Complete Versions Edition)
ZYGMUNT NOSKOWSKI (1846 - 1909): Symphonies
Переглядів 906Рік тому
ZYGMUNT NOSKOWSKI (1846 - 1909): Symphonies
KRZYSZTOF PENDERECKI: Complete String Quartets · Clarinet Quartet · String Trio
Переглядів 249Рік тому
KRZYSZTOF PENDERECKI: Complete String Quartets · Clarinet Quartet · String Trio
Franz & Carl. Doppler: Complete Flute Music Edition
Переглядів 155Рік тому
Franz & Carl. Doppler: Complete Flute Music Edition
Lortzing’s Der Waffenschmied [Promo video]
Переглядів 397Рік тому
Lortzing’s Der Waffenschmied [Promo video]
Nino Rota: Il cappello di paglia di Firenze (Opera / Trailer)
Переглядів 1,6 тис.Рік тому
Nino Rota: Il cappello di paglia di Firenze (Opera / Trailer)
NIKOLAI KAPUSTIN: Piano Concerto No. 5 (Trailer)
Переглядів 1,8 тис.Рік тому
NIKOLAI KAPUSTIN: Piano Concerto No. 5 (Trailer)
ANTON BRUCKNER:: Symphony #8 (1887) (Complete Versions Edition)
Переглядів 4,3 тис.Рік тому
ANTON BRUCKNER:: Symphony #8 (1887) (Complete Versions Edition)
2022 OPUS KLASSIK Awards - Film Music of the Year: Alfred Schnittke: Film Music Vol. 5
Переглядів 4002 роки тому
2022 OPUS KLASSIK Awards - Film Music of the Year: Alfred Schnittke: Film Music Vol. 5
Joachim Raff: Ten Songs, op. 198 No. 10
Переглядів 4362 роки тому
Joachim Raff: Ten Songs, op. 198 No. 10
Ausserordentliche Musik!
Very nice to hear Eisler.
If you are interested, the music of the intro is by Hanns Eisler, "Die Krüppelbrigade". We’re the cripples’ brigade, the most wonderful brigade in the world; we number nearly a billion assuming you’re counting the dead. The dead, they can’t march along, they have to stay in their graves. And we, we can’t march in step as mostly we have just one leg. Our Lieutenant, he comes from the dead, and our Captain has but a stump, our Field Marshall crawls on the ground, because he’s got only a trunk. We are the brigade of the cripples and every second in line carries a nice solid cudgel… strapped right to his or her spine. They told us that these prosthetics are still better than a leg and an arm. And the blind, using their fingers, read better; it works like a charm! If only the dead could get well, they’d get them marching again, rather than letting them rot in the rain and the mass graves where they all fell. They said: Chop-chop, off you go, back to work and don’t ever laze. After all, they said, our artificial limbs on the assembly line also cause no delays. Just you wait; even though limping, we’ll be marching briskly on you. What matter, if on top of our left-, we’d be losing our other leg, too. We are the cripples’ brigade. The very strongest brigade in the realm, and we are first in the line when revolution comes for the world! (The translation is Capriccio's - by Jens F. Laurson - and can be found, along with much, much more, on this release: amzn.to/4cj3ZQx)
❤❤❤❤❤❤❤❤❤❤
The 6th has the most epic and majestic first movement of them all
The Everest of all symphonies. Epic.
Thanks for the insights
You did well Michael Schumacher
Brave Kohorte.
Just leave Beethoven as written.
Mal ein großes Lob an den Pauker. Beethoven's Pauken sollten immer schön knackig klingen. Hier tun sie es ohne dabei hart zu sein. Find ich spitze und hat gerade in der Eroica für absolute WOW Momente gesorgt.
Frank Strobel's adaptations of the Schnittke music are absolutely fantastic and I am so hope he'd do the same for the 'Flight Crew' (Ekipazh, 1980).
I’m now a lucky owner of this recording. And how wonderful it is. A really important project, which helps explain what a special conductor Mahler was, and how his tinkering with these mighty scores only makes them even bolder and more appropriate for a modern day orchestra. Congratulations to all for this deeply special recording.
I agree. Just with his Schumann Editions it really gives an insight into why people said he was the greatest conductor they ever knew. He does very little at times but the effects are gigantic. For example the climaxes in the first two movements of the Eroica he only adds some timpani notes and give the horns a little more to do. And an already thunderous moment turns into an emotional earthquake. What a way to show what a genius Beethoven was even after you have heard these moments so often in your life. The only thing I'm not so sure about is the omission of repeats. If that is in Mahler's revision then I guess it is part of performing it as is, but if it is not it is the usual ignorance of many conductors that I thought we had left behind in the 60's and 70's.
I wish I could buy this box set but I've searched all over the internet and no one seems to have it for sale. 😞
Found this while reading about Paul Wittgenstein. Very inspiring that something so beautiful came out of such a tragedy.
People who dislike Bruckner have no soul!
Nirgendwo liturgische Bezüge, Herr Poschner? Soso... dann sind die Zitate aus seinen Messen, die sich in den Sinfonien finden oder die Anklänge an Mozart's Requiem nicht liturgisch?
Adoración es lo que siento por Anton Bruckner, por su obra sinfónica, por el resto de sus composiciones " medio sepultadas" por la grandeza, lo inmenso de sus sinfonías.
Imagine hearing some of your own composed symphonies never or once in your lifetime, making changes to it after having heard it once, and then some folks come around and prefer the unchanged original. Bruckners symphonies are incredibly long, why dont we trust him when he thought they might be too long?
The 5 on 4 polyrhythm in the 1874 4th Finale is perhaps its most challenging aspect. The 3rd and 4th movements are quite different than the 1878-80 and 1888-9 versions. The last version resembles the 1891 Vienna 1st: aside from a few cuts, the revision contains the same music but with many scoring changes.
fantastic
Mahler "re-touched" Schumann's symphonies, too. I used to have a set on CDs, BIS iirc.
As a Mahler fanatic, this is a day one purchase for me. I'm looking forward to hearing the results.
does anyone know if there’s any pdf of the scores available online?
can we listen to this in spotify?
Eine grosses scheize!
真好!終於有ㄧ些人重視布魯克納了!
第四樂章開頭很難,持續到結束更難⋯
Amazing project, id love to see the results recorded
All this is useless if we don't respect Beethoven's rhythm. Here in the first movement of the 7 the rhythm is the Sicilian _.-_ _ .-_ Here this ever is there! ua-cam.com/video/-0BWOXFo-u4/v-deo.html
Habe gestern auf der ARD-App die Planeten von Holst mit Francis als Conductor gesehen. Eine der besten liveperformances ever, mindestens zu diesem Stück. Mit demselben Orchester in einer Museumshalle aufgenommen. Fantastisch!
If you wanna be a part of a master chef’s dish adding ketchup and mayonnaise
This conductor still somehow managed to bury the horns at 1:07 in spite of Mahler doubling them. That level of ineptitude is almost impressive.
And yet the tune is perfectly audible so you are nitpicking.
@@AndreyRubtsovRU Ah but of course, so long as you can recognize the tune the timbral color hardly matters. After all, it’s not like the singular selling point of this Beethoven cycle is the change in orchestration. Oh, wait…
@@themajor2072 :-). Smart ass, lol
Calm down bro
Please can someone tell me which Beethoven symphony this is? 🎻
The seventh
"Getting my wallet"...
I would love to hear Beethoven reorchestrated by Tchaikovsky - in my view, the most sensitive and versatile of all late-Romantic era orchestrators - but I doubt it would be as respectful to the original as Mahler was. The mystery with Mahler is how somebody so loyal and devoted to Beethoven could have written (in his original compositions) music which Beethoven would surely have despised.
Maybe you should not post ridiculous assumptions about composer's preferences and apply your personal taste to theirs. ;)
Incredible ❤❤
I never knew about these!
In other words: how would Beethoven have orchestrated if he had had Mahler's orchestra and Mahler's concert halls?
The Vienna Philharmonic wouldve experienced some serious contrast.
Exactly.
Gut gemacht, danke!
Of all composers, Beethoven has always seemed to be the one who was notably frustrated by the limitations of his period. Normally, I am a fan of period re-creations; but with Beethoven, I feel period orchestras and keyboards reveal how he wanted to push beyond the constraints he experienced. Yes, I feel Beethoven actually sounds better on modern piano because of the power coming through. Valid interpretations are possible under many circumstances, including these Mahler re-imaginings.
I have started to listen to these and I like them as alternatives, because there indeed moments when Mahler's alterations help to make Beethoven's writing clearer. But in other moments I think he overcorrects. A good example is the 7th Symphony first movement exposition when the theme comes full force the first time. Mahler moves Beethoven's exhilirating horn writing over to the trumpets. He does the same at the end of the movement. He lets the trumpets play along with the horns as they blast out the theme one final time. And that is one of those moments where you think: "No, don't do that!"
말러가 베토벤보다 더 위대할 경우에만 수정할 수 있다 현실은 그 반대..
Beethoven struggled with orchestration because of his deafness?!? He he and thus us coming from a musician. Composers do not orchestrate listening to a full orchestra. Typically they work at the piano or just have the ability to “hear” music looking at the score.
Composing is one thing. Finer details of orchestration often get worked out in rehearsals and practice. I suppose that is what Francis meant that Mahler meant... :-)
And yet i agree with that thought. He definitely struggles at places in later symphonies more and more. Slow mov of 9 is a disaster.
This interpretation and performance of Bruckner's 7th Symphony sounds like it will be a strong entry in the series. It would be so cool if Markus Poschner could return to the Utah Symphony again in the 2025-2026 season and program Bruckner's Symphony No.7. The Utah Symphony last performed that symphony in March 2010.
Si fuera cierto que las orqustaciones de Beethoven tienen problemas por su sordera y necesitaran rectificación, entonces versiones historicistas extraordinarias como las de Harnoncourt en que no se pierde ningún grado de pasión,no existirían.
Pues de hecho, sí. Es intocable y es perfecto. ¿Sería tolerable que alguien le metiera mano a las obras de Mahler? Por supuesto que tampoco.
amazing
I like what I hear so far! It's a joy to discover a composer's music that was unknown to me before.
The section marked Fast and Cheeky.